Shore Scripts

Screenwriting Competition - Screenwriting Contest & Screenplay Competitions

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  • CONTESTS
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    • 2017
      • Winners, SF & QF’s
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        • The Naked Man
        • The Orgy
    • 2016
      • Winners, SF & QF’s
      • Winners Video Interviews
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      • Short Film Fund Winner
    • 2015
      • Winners, SF & QF’s
      • Feature Winners Videos
      • Feature Winners Interviews
      • Short Winners Videos
      • Short Winners Interviews
    • 2014
      • Winners, SF & QF’s
      • Feature Winners Videos
      • Feature Winners Interviews
      • Short Winners Videos
      • Short Winners Interviews
    • 2013
      • Winners, SF & QF’s
      • Feature Winners Videos
      • Feature Winners Interviews
      • Short Winners Videos
      • Short Winners Interviews
    • 2012
      • Winners, SF & QF’s
      • Winners Videos
      • Winners Interviews
  • Success Stories
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  • Enter
  • Prizes
  • FAQ
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  • Judges
Early
1st March to 31st May 2018 - $45 (£33)
Regular
1st June to 31st July 2018 - $50 (£36)
Late
1st August to 31st August 2018 - $60 (£44)

NOW OPEN!


 Why Enter?

JUDGES

Winning Feature scripts will be read by our 19 OSCAR & BAFTA winning Judges.

PRIZES

Over $10k in Cash & Prizes is up for grabs in our Feature contest.

INDUSTRY ROSTER

2018’s best Feature scripts will be read by our roster of 75 production companies, agents and managers.

SCRIPT SCORE

You will be able to view your script score. This will be released once we announce our Quarter-Finalists.

SUCCESS STORIES

We have helped 40+ writers gain representation, option, sell, and even have their screenplays produced.

DISCOVERY PLATFORM

We’ve partnered with Coverfly to handle all submissions. As well as our judges and roster, you have the choice to make your script available to hundreds more industry professionals on their platform for no additional fee. This is entirely optional – you can be as private or public as you like.

SUBMIT YOUR SCRIPT $45

Standard Entry

SUBMIT YOUR SCRIPT $155

Enter with 5 Page Coverage

5 pages of constructive notes that focus on: Premise, Structure, Character, Dialogue, Pace, Marketability, and a Conclusion. It will give you a clear overview of your feature.

SUBMIT YOUR SCRIPT $230

Enter with 10 Page Coverage

10 pages of feedback on all areas of your screenplay, including: Premise, Structure, Character, Dialogue, Pace, Visuals, Believability, Marketability, and a Conclusion. It also includes an industry scorecard. Great for a comprehensive critique of your feature.

SUBMIT YOUR SCRIPT $155

Enter with Proofreading

Comprehensive evaluation of spelling, punctuation, grammar, and formatting mistakes.

You can also submit via FilmFreeWay

Voted one of 2018’s Best Screenplay Contests by Moviebytes

Prizes

1st

• $4000 Cash
• Your script read by our Judges & Industry Roster
• 2019 Raindance Film Festival Pass
• Introduction and Meetings with Hollywood Agents and Managers
• Script development with Shore Scripts
• 1 year Subscription to WriterDuet Pro
• 1 year Subscription to IMDB Pro
• Final Draft 10 Software

• Enrollment into Good In A Room’s ‘How To Network in Hollywood’ course
• InkTip script listing and InkTip Magazine listing
• 6-month membership to The International Screenwriters’ Association.

2nd

• $1000 Cash
• Your script read by our Judges & Industry Roster
• Script development with Shore Scripts
• Final Draft 10 Software

• InkTip script listing and InkTip Magazine listing
• 6-month membership to The International Screenwriters’ Association.

3rd

• $500 Cash
• Your script read by our Judges & Industry Roster
• Script development with Shore Scripts
• Final Draft 10 Software

• InkTip script listing and InkTip Magazine listing
• 6-month membership to The International Screenwriters’ Association.

4th

• $250 Cash
• Your script read by our Judges & Industry Roster
• Final Draft 10 Software

• InkTip script listing and InkTip Magazine listing
• 6-month membership to The International Screenwriters’ Association.

5th

• Your script read by our Judges & Industry Roster
• Final Draft 10 Software

• InkTip script listing and InkTip Magazine listing
• 6-month membership to The International Screenwriters’ Association.

 

FAQ’S

Feature

– What are the Feature notification dates?

QUARTER-FINALISTS ANNOUNCED – 25th OCTOBER 2018
SEMI-FINALISTS ANNOUNCED – 6th NOVEMBER 2018 
5 WINNERS ANNOUNCED – 10th NOVEMBER 2018
ORDER OF 5 WINNERS ANNOUNCED – 30th NOVEMBER 2018

Can a writing team enter?

Absolutely.

Can I enter my script into other competitions at the same time?

You can enter as many competitions as you like.

Can I resubmit a script I’ve already entered into a previous year’s contest?

Yes.

Can I still enter if I don’t live in the USA or UK?

Yes. Anyone can enter from anywhere in the world. However, the script must be in English.

Can I submit a script I have entered into a previous years contest?

Yes – as long as it wasn’t one of our feature or short winners.

Can I submit an adaptation?

Only if you own the copyright, or the rights are in the public domain.

Can I submit more than one script?

Yes. You can submit as many scripts as you wish. You will just need to go through the same process that you did with the first.

Do you offer a script coverage service?

We do. Click Here for all the info.

How do I ENTER?

Navigate to your chosen Contest page. You will then see ‘Submit Your Script’ buttons. Clicking on your chosen one will direct you to Coverfly, our submission platform. You will be sent an email confirmation once we have received your script and submission fee.

 

How do I receive the money if I win? Does it matter that I don’t live in the USA or UK?

We will pay your winnings straight into your bank account using PayPal or Bank Transfer. It doesn’t matter where in the world you live, you will get exactly what the exchange rate is. (We use XE.com to calculate this)

How does the reading process work?

Once your script has been submitted, we will log it on our system and send you a confirmation email to let you know we’ve received it.

Each script is read twice: once by one of our industry script readers, and then by one of our internal staff members. Feedback is collated and discussed as we decide on which scripts are to progress to the next round.

How will I be informed of competition developments?

All applicants will be informed via email of the Quarter, Semi, Finalists and Winners. These will also be on our website.

How will I know when you have received my script?

You will receive an email from us once you have completed your submission. Your will also receive a receipt from Stripe or Paypal. Once the competition has closed, we will email everyone who has entered with all the announcement dates. We will keep informed throughout the year. It’s also worth signing up to our Mailing List.

If my script is over 120 pages, will I be disqualified?

No. However, because of the extra time to read and evaluate, we do charge an additional $1 per page over the 120 page count. This is capped at 150 pages / $30. If your script is over 150 pages, please email us at contact@shorescripts.com to discuss a submission fee.  

My script isn’t copyrighted.

It doesn’t need to be. But if you feel more comfortable doing so, you can do it here.

What Credit Cards do you accept, and how do I know that it is safe?

All payments are made through our submission platform, Coverfly. They work with Stripe, who handle millions of customers worldwide each day, so your details are completely secure. All major Credit Cards are accepted. 

What do I need to include on the Title Page?

Only the Script Title. Please DO NOT include your Name, Email, Cell, Postal Address or any other information. 

What file format do you accept?

We accept PDF. 

What happens if I option or sell my script off my own back, or through the help of Shore Scripts, before the end of the competition?

Great news! However, you will no longer be eligible for the competition or be entitled to get your entry fee refunded.

What sort of screenplays are you looking for?

It can be about anything! It’s all about the quality of the writing. Some of the things we take into account when reviewing a screenplay are: premise, structure, characterization, dialogue, tone and originality.

Who reads my script?

We have a select few script readers. They have read for the likes of: Lionsgate, Paramount, Universal, BBC, Vertigo Films, Working Title, Anchor Bay and many others. Each reader is given a fifteen-page document that covers all aspects of the script reading process and what is expected of them. Shore Scripts internal staff members also review the screenplays. Each submitted script is read by two separate readers.

The scripts that make it through to the Semi Final stage are red exclusively by the Shore Scripts team. Our internal team choose the winning scripts. These are then sent to our Judges who decide on the order of our winners.

Why can’t I enter if I have earned over $30,000 (£22,000 approx) from screenwriting in the past?

Because the competition is all about helping upcoming screenwriters break in and establish themselves in the industry.

Previous prizes won in other screenwriting competitions do not count towards this total.

Why should I enter? How will you help me?

Our goal is to help emerging screenwriters break into the industry. Monetary prizes are really secondary to that. 100+ Production Companies, Agents, Managers and Judges have all signed up to read each year’s top submitted screenplays.

At any point during the competition, if we feel the script and time is right, we will send it with our full backing to a producer or production company who we have a relationship with. We always obtain prior consent from the writer before doing so.

The writer’s information will be passed onto the relevant party and all further correspondence will be made between them and the writer. This has happened with a number of writers who have entered Shore Scripts. Check out our Success Stories.

The money helps the writer continue writing, but ultimately what every writer wants is to see their words spoken on screen.

Will Shore Scripts ever have any rights or percentage over my script?

No. You wrote it, it’s yours! We will never have any rights over your work.

Rules

* Shore Scripts only accepts electronic entries.

* Screenwriters from all countries are welcome to enter. All scripts must be written in English.

* The script must be the writer’s original work. Adaptations are accepted but the writer must own all copyright. At no point will Shore Scripts ever have any rights over your work.

* All ages are welcome.

* We accept animations. 

* Each writer, or writing team, may not have earned more than $30,000 (£24,000 approx) in screenwriting fees since 2010. Previous screenwriting cash awards do not count towards this total.

* You may enter a newer draft of an already submitted script. There is a small additional fee. You may re-enter you script through the Resubmission page.

* A writer can enter as many scripts in as many categories as they wish.

* If a script is optioned or purchased during the competition, then it will no longer be eligible for the contest.

* Scripts should be formatted at size 12 Courier.

* The script file formats we accept are: PDF (preferred) Celtx, Final Draft, MovieMagic, RTF, DOC & TXT.

* Scripts should ideally be within 80-120 pages. We do accept longer scripts. 

* We accept all genres.

* The winners consent to Shore Scripts using their name, script title, and any other relevant information for promotional purposes on their website. This will be used to inform other contestants and the media of the results. 

* If Shore Scripts helps a writer gain representation, option, sell, or have his/her screenplay produced, then we are entitled to state this on our website and on any other platform whenever we see fit. 

* Shore Scripts staff and associates are unable to enter.

* The decision of the judging panel is final. All judges, staff, and sponsors are immune from any competition disputes.

* By entering Shore Scripts, you authorize us to use any trusted third-party online and cloud-based services and databases for hosting, managing and/or transmitting your submission file(s).

* If we see fit, we can extend the final deadline for the competition.

Feature Judges

To read the winning 5 Features

  • ALL

2018-01-23 17:47:49

317

Jeremy Irons - Actor

Jeremy Irons - Actor

Jeremy won the Academy Award for Best Actor for his performance as Claus von Bulow in REVERSAL OF FORTUNE. He is also a Golden Globe Award, Primetime Emmy Award, Tony Award, and SAG Award winner. His works include: THE FRENCH LIEUTENANT'S WOMAN, THE MISSION, DEAD RINGERS, THE LION KING, DIE HARD, along with many more.

IMDB

2018-01-23 17:47:49

307

Tony Grisoni - Writer

Tony Grisoni - Writer

Tony has written several of Terry Gilliam’s films, including FEAR & LOATHING IN LAS VEGAS and TIDELAND. Grisoni also co-wrote the screenplay for Gilliam’s THE MAN WHO KILLED DON QUIXOTE, which was abandoned soon after starting filming. He wrote the RED RIDING TRILOGY. THE UNLOVED won the BAFTA TV Award for Best Single Drama. He’s most recently written SOUTHCLIFFE, an original 4-part drama for Channel 4, directed by Sean Durkin.

IMDB

2018-01-23 17:47:49

345

Thora Birch - Actress, Producer

Thora Birch - Actress, Producer

THORA resumed her acting career to great fanfare and has four upcoming films including playing Emilia Clarke sister ‘Jolene’ opposite Jack Huston and Johnny Knoxville in Phillip Noyce’s ABOVE SUSPICION. She has won SAG Awards and multiple Young Artist Awards, and has been nominated for Golden Globe and Emmy Awards. Some of her most iconic roles include Enid in GHOST WORLD and Jane in AMERICAN BEAUTY.

IMDB

2018-01-23 17:47:49

337

Keith Calder - Producer

Keith Calder - Producer

Keith Calder co-founded Snoot Entertainment in 2004 to develop, finance, and produce films across all genres. Keith’s most recent credits include Charlie Kaufman’s Academy-Award nominated animated film ANOMALISA and the upcoming horror movie THE WOODS. Other recent Snoot productions include FAULTS, THE GUEST, and the award-winning horror film YOU’RE NEXT. He has also produced ALL THE BOYS LOVE MANDY LANE, THE WACKNESS, and PEEP WORLD.

IMDB

2018-01-23 17:47:49

344

Nora Zehetner - Actress

Nora Zehetner - Actress

Nora most recently appeared in the Amazon Studio/Magnolia film “creative control” which was on the National Board of Reviews list of top ten indies. Her previous work includes Brick, Heroes, Maron, Greys Anatomy, and Mad Men.

IMDB

2018-01-23 17:47:49

319

Finola Dwyer - Producer

Finola Dwyer - Producer

Finola is an Oscar and BAFTA-nominated producer whose credits include STONED, QUARTET, SEVERANCE and BAFTA-winning, EMMY nominated, TSUNAMI: THE AFTERMATH. Finola received an Oscar nomination for producing AN EDUCATION.

IMDB

2018-01-23 17:47:49

342

Ash Christian - Actor, Writer, Director, Producer

Ash Christian - Actor, Writer, Director, Producer

Ash won an EMMY for his work on mI Promise. He's acted in shows such as The Good Wife, Cleaners, Ugly Betty; produced 19 features and TV Shows, and directed 4 features.

IMDB

2018-01-23 17:47:49

341

Kate O'Hara, Development & Production Executive - iFeatures

Kate O'Hara, Development & Production Executive - iFeatures

Kate is a Development & Production Executive at Creative England on iFeatures, a UK wide low budget feature film development and production initiative aimed at 1st & 2nd time feature filmmakers funded by Creative England, BFI Film fund and BBC Films. Kate takes overall responsibility for the running of iFeatures, including managing the submission, development and production process.

IMDB

2018-01-23 17:47:49

316

Kasi Lemmons - Actress, Writer, Director

Kasi Lemmons - Actress, Writer, Director

Kasi has appeared in such films as SILENCE OF THE LAMBS, HARD TARGET, and Spike Lee’s SCHOOL DAYS. Lemmon’s first feature as a writer-director, EVE'S BAYOU, became the highest grossing independent film of 1997, receiving the Independent Spirit Award for “Best First Feature.” Her most recent feature, BLACK NATIVITY was released nationwide Thanksgiving 2013.

IMDB

2018-01-23 17:47:49

312

Liza Marshall - Producer

Liza Marshall - Producer

A former head of Drama at Britain’s Channel 4, Liza produced THE RED RIDING TRILOGY, written by one of our other judges, Tony Grisoni. It was met with universal acclaim on its release. Her producing credits include: WELCOME TO THE PUNCH, LIFE IN A DAY, I AM SLAVE, BOY A, ENDGAME, and SPRINGSTEEN & I. BEFORE I GO TO SLEEP.

IMDB

2018-01-23 17:47:49

343

Roberto Bentivegna - Writer, Director

Roberto Bentivegna - Writer, Director

Roberto was awarded the Carla Kuhn fellowship, the Hollywood Foreign Press Award, the Alfred P. Sloan Screenwriting award and the Faculty Selects for "A Day in March." He was a finalist in the Academy's Nicholl Fellowship. His most recent screenplays include SHELLA for acclaimed photographer Albert Watson; THE EEL starring Sam Rockwell which was featured on the Black List and he will be directing; SPIRIT HOUSE for Film Nation.

2018-01-23 17:47:49

326

T. Rafael Cimino - Producer

T. Rafael Cimino - Producer

Todd is a consulting producer for HBO films. He has been the story editor on a number of shows and films including MIAMI VICE, LOST IN TRANSLATION and THE OTHER BOLEYN GIRL.

IMDB

2018-01-23 17:47:49

320

Christopher Figg - Producer

Christopher Figg - Producer

Chris was an assistant director on the Oscar winning PASSAGE TO INDIA before moving into producing. He produced the HELLRAISER films; co-produced TRAINSPOTTING, DOG SOLDIERS, HEIDI AND GREYFRIARS BOBBY. Recent films include 4,3,2,1, CORIOLANUS, WE NEED TO TALK ABOUT KEVIN, AGE OF HEROES, and HUNKY DORY with Minnie Driver.

IMDB

2018-01-23 17:47:49

315

Stephen Woolley - Producer

Stephen Woolley - Producer

Stephen Woolley has spent a lifetime steeped in movies and filmmaking. In 1982 He launched Palace Video in partnership with Nik Powell, releasing titles such as Eraserhead and Mephisto. His producing credits include The Company of Wolves, The Miracle, The Butcher Boy, The Good Thief, the Oscar-nominated The End of The Affair, Interview with the Vampire, and the Oscar-winning The Crying Game.

IMDB

2018-01-23 17:47:49

314

Kees Kasander - Producer

Kees Kasander - Producer

Kees is a producer and director, known for FISH TANK: PROSPERO'S BOOKS: THE COOK, THE THIEF, HIS WIFE & HER LOVER & KEN PARK. He has produced over 70 films from all around the world. He is also a Shore Scripts Patron.

IMDB

2018-01-23 17:47:49

313

Kevin Loader - Producer

Kevin Loader - Producer

Kevin Loader is one of the U.K.’s most established film producers. He was a double BAFTA Award nominee in 2010 with two of his productions, Armando Iannucci’s political comedy, IN THE LOOP, and Sam Taylor-Wood’s, NOWHERE BOY. He has produced over 35 films. They include: ALAN PARTRIDGE: ALPHA PAPA, WUTHERING HEIGHTS, BRIDESHEAD REVISITED, THE HISTORY BOYS, VENUS, ENDURING LOVE and others.

IMDB

2018-01-23 17:47:49

311

Michelle Wright - Producer

Michelle Wright - Producer

Michelle is the Head of Production at Working Title Films. She’s been involved in over 50 of the biggest films released over the last twenty years. Some of these include: O BROTHER, WHERE ART THOU?, BILLY ELLIOT, BRIDGET JONE'S DIARY, THE MAN WHO WASN'T THERE, ABOUT A BOY, LOVE ACTUALLY, THE INTERPRETER, HOT FUZZ, ATONEMENT, FROST NIXON, TINKER TAILOR SOLDIER SPY, LES MISERABLES and many more.

IMDB

2018-01-23 17:47:49

310

Paul Webster - Producer

Paul Webster - Producer

As a producer, Paul's been involved in the making of over 100 films over the last 30 years. He is Oscar-nominated, and a BAFTA and Golden Globe winner whose recent productions include EASTERN PROMISES, SALMON FISHING IN THE YEMEN, PRIDE & PREJUDICE, ATONEMENT and ANNA KARENINA.

IMDB

2018-01-23 17:47:49

308

Adrian Sturges - Producer

Adrian Sturges - Producer

Adrian began his career producing short films with such directors as Rupert Wyatt – SUBTERRAIN and GET THE PICTURE and Sam Taylor-Wood - LOVE YOU MORE, the latter being nominated for a BAFTA and the Palme d’Or. His first feature was THE BAKER. Subsequently he's produced THE ESCAPIST, ALBATROSS and THE DISAPPEARANCE OF ALICE CREED.

IMDB

Distribution

Production Companies, Agents & Managers to read the best Features

  • ALL
  • Prod Comps
  • Agents
  • Managers

2018-01-24 16:36:28

501

Marcus Markou / Director, Producer

Marcus Markou / Director, Producer

2018-01-24 16:36:28

495

Chloe Sizer / Head of Development

Chloe Sizer / Head of Development

2018-01-24 16:36:28

499

Allard Cantor / Epicenter

Allard Cantor / Epicenter

2018-01-24 16:36:28

498

Sarah Brennan Kolb / Producer

Sarah Brennan Kolb / Producer

2018-01-24 16:36:28

497

David Katsman / Manager

David Katsman / Manager

2018-01-24 16:36:28

500

Kayleigh & Bianca / Producer & Directors

Kayleigh & Bianca / Producer & Directors

2018-01-24 16:36:28

496

Danny Sherman / Manager

Danny Sherman / Manager

2018-01-24 16:36:28

419

Jonathan Kinnersley / Agent

Jonathan Kinnersley / Agent

2018-01-24 16:36:28

494

Julia Berg / Development

Julia Berg / Development

2018-01-24 16:36:28

492

Adam Brawer / Producer

Adam Brawer / Producer

2018-01-24 16:36:28

491

Sophie Vickers / Head of Development

Sophie Vickers / Head of Development

2018-01-24 16:36:28

447

Sophie Patterson / Agent

Sophie Patterson / Agent

2018-01-24 16:36:28

439

Julian Friedmann / Agent

Julian Friedmann / Agent

2018-01-24 16:36:28

454

Kirstie MacDonald  / Head of Development

Kirstie MacDonald  / Head of Development

2018-01-24 16:36:28

449

Becky & Harriet / Agents

Becky & Harriet / Agents

2018-01-24 16:36:28

440

Cleone Clarke / Associate Producer

Cleone Clarke / Associate Producer

2018-01-24 16:36:28

424

Brendan O'Neill / Producer

Brendan O'Neill / Producer

2018-01-24 16:36:28

438

Ilyssa Walker / Executive Assistant

Ilyssa Walker / Executive Assistant

2018-01-24 16:36:28

431

Rick Bitzelberger / Development Executive

Rick Bitzelberger / Development Executive

2018-01-24 16:36:28

493

David Atlan-Jackson / Producer

David Atlan-Jackson / Producer

2018-01-24 16:36:28

490

Matthew Feitshans / VP Development

Matthew Feitshans / VP Development

2018-01-24 16:36:28

483

Anna Brazinova

Anna Brazinova

2018-01-24 16:36:28

488

Christopher Figg / Producer

Christopher Figg / Producer

2018-01-24 16:36:28

502

Mark Gochman - Ent Lawyer

Mark Gochman - Ent Lawyer

2018-01-24 16:36:28

481

Joshua Woodford / Agent

Joshua Woodford / Agent

2018-01-24 16:36:28

469

Richard Johns  / Producer

Richard Johns  / Producer

2018-01-24 16:36:28

460

Alban Horncastle / Producer

Alban Horncastle / Producer

2018-01-24 16:36:28

453

Benjamin Scott / Producer

Benjamin Scott / Producer

2018-01-24 16:36:28

451

Mark Lo / Head of Development

Mark Lo / Head of Development

2018-01-24 16:36:28

452

Matt Fisch / Manager

Matt Fisch / Manager

2018-01-24 16:36:28

443

George Monkland / Manager

George Monkland / Manager

2018-01-24 16:36:28

489

Robert Bevan / Executive

Robert Bevan / Executive

2018-01-24 16:36:28

487

Kees Kasander / Producer

Kees Kasander / Producer

2018-01-24 16:36:28

486

Claire Best / Agent

Claire Best / Agent

2018-01-24 16:36:28

485

Michael Klein / Producer

Michael Klein / Producer

2018-01-24 16:36:28

482

Leo Pearlman / Producer

Leo Pearlman / Producer

2018-01-24 16:36:28

480

Wendy Scozzaro / Talent Agent

Wendy Scozzaro / Talent Agent

2018-01-24 16:36:28

479

Adam Goldworm / Producer

Adam Goldworm / Producer

2018-01-24 16:36:28

478

Jennifer Au & Lee Stobby / Managers

Jennifer Au & Lee Stobby / Managers

2018-01-24 16:36:28

477

Lincia Daniel / Producer

Lincia Daniel / Producer

2018-01-24 16:36:28

476

Hilary Davis / Co Managing Director

Hilary Davis / Co Managing Director

2018-01-24 16:36:28

475

 Josh Cole and Pete Spencer / Development Producer

Josh Cole and Pete Spencer / Development Producer

2018-01-24 16:36:28

474

John Doherty / Creative Executive

John Doherty / Creative Executive

2018-01-24 16:36:28

472

Patrick Hendrickson / Co-Founder

Patrick Hendrickson / Co-Founder

2018-01-24 16:36:28

470

Pippa Cross / Producer

Pippa Cross / Producer

2018-01-24 16:36:28

468

Fiona Grant / Agent

Fiona Grant / Agent

2018-01-24 16:36:28

467

Rachel Green / Development Director

Rachel Green / Development Director

2018-01-24 16:36:28

466

2018-01-24 16:36:28

465

Angelina Chen / Literary Manager

Angelina Chen / Literary Manager

2018-01-24 16:36:28

464

Michael Kupisk / Producer & Manager 

Michael Kupisk / Producer & Manager 

2018-01-24 16:36:28

463

Simon Graham-Clare / Production & Development

Simon Graham-Clare / Production & Development

2018-01-24 16:36:28

462

Ben Turnbull / Producer

Ben Turnbull / Producer

2018-01-24 16:36:28

459

Paul Webster / Producer

Paul Webster / Producer

2018-01-24 16:36:28

458

Luc Chaudhary / Agent

Luc Chaudhary / Agent

2018-01-24 16:36:28

457

2018-01-24 16:36:28

456

Stephen Wooley / Partner

Stephen Wooley / Partner

2018-01-24 16:36:28

455

Jeff Faehnle / Head of Development

Jeff Faehnle / Head of Development

2018-01-24 16:36:28

450

Alison MacPhail / Senior Producer

Alison MacPhail / Senior Producer

2018-01-24 16:36:28

448

Zac Sanford / VP Development

Zac Sanford / VP Development

2018-01-24 16:36:28

446

Iain Sinclair / Producer

Iain Sinclair / Producer

2018-01-24 16:36:28

444

Bryan Brucks / Agent

Bryan Brucks / Agent

2018-01-24 16:36:28

442

John Shackleton / Producer

John Shackleton / Producer

2018-01-24 16:36:28

441

Callum Dodgson / Producer

Callum Dodgson / Producer

2018-01-24 16:36:28

436

Elissa Friedman / Production & Development

Elissa Friedman / Production & Development

2018-01-24 16:36:28

435

Julio Bonet / Development & Production

Julio Bonet / Development & Production

2018-01-24 16:36:28

434

Chris Hazzard / Director of Development

Chris Hazzard / Director of Development

2018-01-24 16:36:28

433

Amy Wagner / Agent

Amy Wagner / Agent

2018-01-24 16:36:28

432

Adam Morane-Griffiths / Managing Director

Adam Morane-Griffiths / Managing Director

2018-01-24 16:36:28

429

Mark Brennan / Agent

Mark Brennan / Agent

2018-01-24 16:36:28

428

Jonny Awsum / Agent

Jonny Awsum / Agent

2018-01-24 16:36:28

426

Jen Kenwood / Development/Producer

Jen Kenwood / Development/Producer

2018-01-24 16:36:28

425

Josephine Davies / Head of Development

Josephine Davies / Head of Development

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422

Johann Knobel / Producer

Johann Knobel / Producer

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423

Jeff Belkin / Agents

Jeff Belkin / Agents

2018-01-24 16:36:28

421

Anna Dudley / Agent

Anna Dudley / Agent

 

SUBMIT YOUR SCRIPT $45

Standard Entry

SUBMIT YOUR SCRIPT $155

Enter with 5 Page Coverage

5 pages of constructive notes that focus on: Premise, Structure, Character, Dialogue, Pace, Marketability, and a Conclusion. It will give you a clear overview of your feature.

SUBMIT YOUR SCRIPT $230

Enter with 10 Page Coverage

10 pages of feedback on all areas of your screenplay, including: Premise, Structure, Character, Dialogue, Pace, Visuals, Believability, Marketability, and a Conclusion. It also includes an industry scorecard. Great for a comprehensive critique of your feature.

SUBMIT YOUR SCRIPT $155

Enter with Proofreading

Comprehensive evaluation of spelling, punctuation, grammar, and formatting mistakes in your script.

© Shore Scripts Screenwriting Competition - 2017

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